There may be many reasons why attempts at reviving the Irish language have not fared as well as those for Welsh, or even Scottish Gaelic. You might think that Ireland, as a new-ish nation, would have embraced its ancient language — a language suppressed by the British colonialists. And certainly, Ireland ‘s first few governments tried that in the 1920s and 30s. Irish was mandatory in schools, and mastery of it was required to enter the civil service. Despite that, it never really took off. Perhaps the British had done too good a job in near-wiping it out. (And did less well in Wales, where people persisted in speaking Welsh, even before its current government-sponsored revival). Or perhaps, people aren’t comfortable learning a language as a political act, as part of a nationalist agenda.
We hear from two speakers of the language: first, my Dad, who remembers hardly any Irish these days but studied it at school for many years. Today, many decades later, he wishes he’d paid more attention. Then, a conversation with Manchán Magan, who made a documentary series for Irish TV about his attempt to travel around Ireland speaking only Irish. (That’s him in the picture, praying that he’ll meet someone who speaks Irish.) He was verbally abused in Dublin — a reaction Magan thinks has to do with the past, and feelings of guilt and shame. In Killarney, he asked people, in Irish, to help him rob a bank. In Galway, he sang filthy songs in public and was applauded by uncomprehending old ladies. He also tried — and failed — to buy food and clothes, and to hire a mechanic. Middle-aged Irish people like him, Magan says, never really were interested in keeping up their Irish skills. But the young are different: for them, learning Irish doesn’t have an agenda attached to it. So there may be hope yet for this language.
Then, it’s Alexander McCall Smith. His latest offering in the No. 1 Ladies’ Detective Agency series is a children’s book in the Scots language. McSmith and other participants in a BBC round-table program (also featured in the podcast) discuss books in translation. English is now so dominant and so widely understood, that many books written in English simply aren’t translated into the likes of Dutch, Danish or Swedish, let alone Scots. So, publication of this book in its translation a full year before it is published in the original English is a quite a statement from McCall Smith.
Finally, we profile hip-hop artist Boomer Da Sharpshooter. Boomer, who is ethnic Cambodian, was born in a refugee camp in Thailand and raised in California. He grew up speaking English but now raps in Cambodia’s main language, Khmer. It’s not out of choice: in his late teens he was gang-banger, and was sent to prison on weapons offenses. On his release, the US deported him to Cambodia. That was seven years ago. Today, he’s a reformed character, and his Khmer raps are considerably softer in tone and content than his English ones used to be.
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